SURFACE OPTIONS
White Gloss
(Standard and Most Popular)
Vibrant white high gloss surface gives you brilliant colors and detail.
White Satin
(Between Glossy and Matte)
This gives you a similar vibrance as white gloss with a reduced glare.
White Matte
(Modern Classy)
Similar to White Gloss but with reduced glare and satin appearance.
WALL MOUNT OPTIONS
Silver Aluminum / Black Aluminum
A natural aluminum mount pairs really well with the matching aluminum back and gives your print an elegant look. The black aluminum mount contrasts nicely with the natural aluminum back. The frame is 3/4" deep which makes your image appear to be floating off the wall.
Flush Silver / Flush Black
Flush mount (silver and black) which gives your print a more substantial side profile and fits snug to your wall.
Natural Wood / Black Wood
Flush mount (silver and black) which gives your print a more substantial side profile and fits snug to your wall.
Float Mount
Float mounts are aluminum mounted onto an MDF board. They hang using screws and can be selected for metal prints up to 24x36.
FRAME OPTIONS
Box Black
Box White
Real wood Box frames display your image without any border. Outside dimensions are .75" larger than your print size (i.e., 8x10 print size will have an outside frame dimension of 9.5x11.5).
Float Black
Float White
Real wood Float frames display your image with ¼” space between the frame and the print edge for a gorgeous floating effect. Outside dimensions are 0.5" larger than your print size (i.e., 8x10 print size will have an outside frame dimension of 8.5x10.5).
The Highest-Quality Metal Prints
Highest-Quality ChromaLuxe®
We only use archival canvas made in the USA. This canvas is a thick 400gsm poly-cottom canvas. This archival canvas is rated to last over 100 years indoors when paired with archival inks.
Incredibly Vibrant Colors
We only use USA grown pine stretcher bars that are smooth and straight. We hand stretch each canvas print ensuring a “drum like” tightness that won’t sag or warp over time.
Bryan’s artwork is inspired by the stark contrasts found in the high-desert of the American Southwest. There’s something magical about the sun rising over the Rockies. There’s something mystical about watching the sun set across Shiprock, the Bisti Badlands, and the Navajo Nation. It’s called The Land of Enchantment for a reason...
That sense of enchantment can be felt in the pieces that Bryan Ayers creates.
Get on the early bird list and find out the moment Bryan releases a new painting.
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